Throughout
his career Hopper painted people on the move, coming or going, the packed
bags were used as a compositional element.
Brian O’Doherty, describing
the woman in Western Motel says: “
The eyes of the only person in Hopper’s mature art who returns our
gaze are filmed and sightless. We are acknowledged but virtually unseen.
Indeed, so powerful is the inner removal of Hopper’s people that we
take on some of their intimate distance as we look.”
O’Doherty, Hopper’s 89
Western Motel was painted in January or February of 1957 in California,
where Hopper had been given a six-month residency at the Huntington Hartford
Foundation.
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